Soca Nova
Soca-Samba is a hybrid, blending Soca from Trinidad and Tobago with Samba from Brazil, often particularly referencing Bahia - SOulCAlypso
Video and Audio +
Samba Ottawa playing Soca Samba / Disco
Some Background
Film: Soca from 1987 +
Summary +
The whole thing
SLOW
FASTER
BASIC PATTERN
Bom daBim da
Bom daBim da
Bom daBim da
Bomda daBim da
Bom=Primeira; Bim=Segunda; da=terceira
ENTRADA (also used to start and stop breaks)
R: Prrr-a , da-da, da-da
S: boom-boom
R: da-da-da
Prr=rep roll, landing on ‘a’ - the one
NB: for breaks 1 and 2
different instruments do the their bits.
(order and timing arbitrary- indicated at the time)
BREAKS
Hand Countdown
The countdown takes place over the four bars of one complete basic pattern followed by the chamada (same as entrada)
||||
Bom daBim da
|||
Bom daBim da
||
Bom daBim da
|
Bomda daBim da
prrr-
followed by the call-reponse chamada as for the entrada
Exit
Breaks are concluded with clenched fist/knuckle sign and the above countdowm / chamada
Break 1
[Hand indicates 1 + countdown]
Primeiras do the boom, indicated instrument do the rest.
NB: more than one instrument may be indicated
ALL do every fourth pattern
Prim selected first time  second time
Boom dada-da caixas segunda
Boom dada-da tambs tambs
Boom dada-da shakers shakers
dada dadadada (ALL except shakers)
concluded by countdown - then Basic Pattern
Break 2
[Hand indicates 2 + countdown]
Everyone stops EXCEPT indicated instrument.
Instruments cued in/out – they each do their normal pattern
Instruments indicated and countdown
ALSO instruments may be closed/silenced - with closed fist and countdown
concluded by countdown - then Basic Pattern
Break 3
[Hand indicates 3 + countdown]
Everyone stops, dobra changes pattern
Instruments cued
Fundo: Boom Boom Boom
Other instruments come in:
Caixas alternate off-beat
Shakers alternate ON-beat
Tamborims da-da, da, dadada
Repeniques something cool
. . .concluded by countdown - then Basic Pattern
Break 4
[Hand indicates 4 + countdown]
Everyone stops EXCEPT shakers.
Fundos: boom on every '1' (ie every other bar)
Dobras: sequence – starting on the fundo boom (each repeated)
L.......R.......
nothing
nothing
1
1..2
1..2..3
1..2..3.1
1..2..3.1..2
1..2..3.1..2..3 - an on
concluded by countdown - then Basic Pattern
FINISH
[Hands tap head + countdown]
Chamada and immediate final BOOM
Recorded at rehearsal on 22 Feb 2016
The Patterns
Entrada +
This is used throughout to call and exit breaks
Entrada
Repique |
1 |
e |
& |
|
x |
X |
r |
x |
X |
& |
r |
4 |
e |
& |
r |
X |
X |
X |
r |
||||
Surdos |
1 |
e |
& |
r |
2 |
e |
& |
r |
3 |
e |
& |
r |
X |
e |
X |
The sample here is of the entrada introducing the main pattern, then calling a break
SLOW
FASTER
Main Pattern +
Ends: count-down repinique entrada then start main pattern again
Main patterns
Caixas |
x |
x |
x |
X |
x |
x |
X |
r |
x |
x |
x |
X |
x |
x |
X |
r |
x |
x |
x |
X |
x |
x |
X |
r |
x |
X |
x |
X |
x |
x |
X |
r |
Tamborims |
||||||||||||||||||||||||||||||||
Repinique |
L |
l |
R |
R |
L |
l |
R |
R |
L |
l |
R |
R |
L |
l |
R |
R |
L |
l |
R |
R |
L |
l |
R |
R |
L |
l |
R |
R |
L |
l |
R |
R |
Shakers |
||||||||||||||||||||||||||||||||
S:Primeira |
O |
e |
& |
r |
2 |
e |
& |
r |
O |
e |
& |
r |
4 |
e |
& |
r |
O |
e |
& |
r |
6 |
e |
& |
r |
O |
e |
& |
r |
8 |
e |
& |
r |
S:Segunda |
1 |
e |
& |
r |
O |
e |
& |
r |
3 |
e |
& |
r |
O |
e |
& |
r |
5 |
e |
& |
r |
O |
e |
& |
r |
7 |
e |
& |
r |
O |
e |
& |
r |
terceira |
1 |
e |
& |
X |
2 |
e |
X |
r |
3 |
e |
& |
X |
4 |
e |
X |
r |
5 |
e |
& |
X |
6 |
e |
X |
r |
7 |
X |
& |
X |
8 |
e |
X |
r |
Break 1 +
primeira |
P |
e |
& |
r |
2 |
e |
& |
r |
P |
e |
& |
r |
4 |
e |
& |
r |
P |
e |
& |
r |
6 |
e |
& |
r |
x |
x |
& |
x |
x |
x |
x |
r |
chosen 1 |
1 |
e |
& |
x |
x |
e |
x |
r |
3 |
e |
& |
x |
x |
e |
x |
r |
5 |
e |
& |
r |
6 |
e |
& |
r |
x |
x |
& |
x |
x |
x |
x |
r |
shakers |
1 |
e |
& |
r |
2 |
e |
& |
r |
3 |
e |
& |
r |
4 |
e |
& |
r |
X |
x |
x |
X |
X |
x |
x |
X |
7 |
e |
& |
r |
8 |
e |
& |
r |
SLOW
FASTER
Break 2 +
All except the chosen instrument stop.
Instruments may be cued in and out arbitrarily.
Each instrument plays its usual main pattern.
SLOW
FASTER
Break 3 +
Surdos |
X |
e |
& |
X |
2 |
e |
X |
r |
3 |
e |
& |
r |
4 |
e |
& |
r |
X |
e |
& |
X |
6 |
e |
X |
r |
7 |
e |
& |
r |
8 |
e |
& |
r |
Caixas |
1 |
e |
& |
r |
x |
e |
x |
r |
3 |
e |
& |
r |
x |
e |
x |
r |
5 |
e |
& |
r |
x |
e |
x |
r |
7 |
e |
& |
r |
x |
e |
x |
r |
Shakers |
x |
e |
x |
r |
2 |
e |
& |
r |
x |
e |
x |
r |
4 |
e |
& |
r |
x |
e |
x |
r |
6 |
e |
& |
r |
x |
e |
x |
r |
8 |
e |
& |
r |
Tamborims |
1 |
e |
& |
r |
2 |
e |
& |
X |
X |
e |
X |
r |
X |
X |
X |
X |
5 |
e |
& |
r |
6 |
e |
& |
X |
X |
e |
X |
r |
X |
X |
X |
X |
SLOW
FASTER
Break 4 +
Signal: hand indicating "4" and count-down
constant
Primeira |
X |
e |
& |
r |
2 |
e |
& |
r |
3 |
e |
& |
r |
4 |
e |
& |
r |
X |
e |
& |
r |
6 |
e |
& |
r |
7 |
e |
& |
r |
8 |
e |
& |
r |
Caixas 8 bars |
1 |
e |
& |
r |
X |
e |
& |
r |
3 |
e |
& |
r |
X |
e |
& |
r |
5 |
e |
& |
r |
X |
e |
& |
r |
7 |
e |
& |
r |
X |
e |
& |
r |
subsequntly |
1 |
e |
X |
r |
2 |
e |
X |
r |
3 |
e |
X |
r |
4 |
e |
X |
r |
5 |
e |
X |
r |
6 |
e |
X |
r |
7 |
e |
X |
r |
8 |
e |
X |
r |
when cued, everyone else comes in with sequence:
Primeira-twice |
X |
e |
& |
r |
2 |
e |
& |
r |
3 |
e |
& |
r |
4 |
e |
& |
r |
X |
e |
& |
r |
6 |
e |
& |
r |
7 |
e |
& |
r |
8 |
e |
& |
r |
others - twice |
X |
e |
& |
r |
2 |
e |
& |
r |
3 |
e |
& |
r |
4 |
e |
& |
r |
X |
e |
& |
r |
6 |
e |
& |
r |
7 |
e |
& |
r |
8 |
e |
& |
r |
then |
X |
e |
& |
X |
2 |
e |
& |
r |
3 |
e |
& |
r |
4 |
e |
& |
r |
X |
e |
& |
X |
6 |
e |
& |
r |
7 |
e |
& |
r |
8 |
e |
& |
r |
then |
X |
e |
& |
X |
2 |
e |
X |
r |
3 |
e |
& |
r |
4 |
e |
& |
r |
X |
e |
& |
X |
6 |
e |
X |
r |
7 |
e |
& |
r |
8 |
e |
& |
r |
then |
X |
e |
& |
X |
2 |
e |
X |
r |
X |
e |
& |
r |
4 |
e |
& |
r |
X |
e |
& |
X |
6 |
e |
X |
r |
X |
e |
& |
r |
8 |
e |
& |
r |
then |
X |
e |
& |
X |
2 |
e |
X |
r |
X |
e |
& |
X |
4 |
e |
& |
r |
X |
e |
& |
X |
6 |
e |
X |
r |
X |
e |
& |
X |
8 |
e |
& |
r |
repeat |
X |
e |
& |
X |
2 |
e |
X |
r |
X |
e |
& |
X |
4 |
e |
X |
r |
X |
e |
& |
X |
6 |
e |
X |
r |
X |
e |
& |
X |
8 |
e |
X |
r |
the 1-2-3-1-2-3 pattern is repeated until countdown and chamada
Break 5 +
The Boom boom
NB No chamada
Surdos |
X |
e |
& |
X |
2 |
e |
X |
r |
3 |
e |
& |
r |
4 |
e |
& |
r |
X |
e |
& |
X |
6 |
e |
X |
r |
7 |
e |
& |
r |
8 |
e |
& |
r |
Caixas |
1 |
e |
& |
r |
x |
e |
x |
r |
3 |
e |
& |
r |
x |
e |
x |
r |
5 |
e |
& |
r |
x |
e |
x |
r |
7 |
e |
& |
r |
x |
e |
x |
r |
Shakers |
x |
e |
x |
r |
2 |
e |
& |
r |
x |
e |
x |
r |
4 |
e |
& |
r |
x |
e |
x |
r |
6 |
e |
& |
r |
x |
e |
x |
r |
8 |
e |
& |
r |
Tamborims |
1 |
e |
& |
r |
2 |
e |
& |
X |
X |
e |
X |
r |
X |
X |
X |
X |
5 |
e |
& |
r |
6 |
e |
& |
X |
X |
e |
X |
r |
X |
X |
X |
X |
return to basic: thumb 'back' over shoulder, countown, NO chamada
END +
Signal: Traditional pat on head and count-down
The finish is the entrada chamada followed by one BOOM from everybody
SLOW
FASTER